Norse mythology

Norse mythology has its roots in Proto-Norse Nordic prehistory. It flourished during the Viking Age and following the Christianization of Scandinavia during the High Middle Ages passed into Nordic folklore, some aspects surviving to the modern day.

The mythology from the Romanticist Viking revival came to be an influence on modern literature and popular culture.

Sources

The title page of Olive Bray's English translation of the Poetic Edda depicting the tree Yggdrasil and a number of its inhabitants (1908) by W. G. Collingwood.

Most of the existing records on Norse mythology date from the 11th to 18th century, having gone through more than two centuries of oral preservation in what was at least officially a Christian society. At this point scholars started recording it, particularly in the Eddas and the Heimskringla by Snorri Sturluson, who believed that pre-Christian deities trace real historical people. There is also the Danish Gesta Danorum by Saxo Grammaticus, where the Norse gods are more strongly Euhemerized. The Prose or Younger Edda was written in the early 13th century by Snorri Sturluson, who was a leading skáld, chieftain, and diplomat in Iceland. It may be thought of primarily as a handbook for aspiring skálds. It contains prose explications of traditional "kennings," or compressed metaphors found in poetry. These prose retellings make the various tales of the Norse gods systematic and coherent.

The Poetic Edda (also known as the Elder Edda) was committed to writing about 50 years after the Prose Edda. It contains 29 long poems, of which 11 deal with the Germanic deities, the rest with legendary heroes like Sigurd the Volsung (the Siegfried of the German version Nibelungenlied). Although scholars think it was transcribed later than the other Edda, the language and poetic forms involved in the tales appear to have been composed centuries earlier than their transcription.

Besides these sources, there are surviving legends in Norse folklore. Some of these can be corroborated with legends appearing in other Germanic literature e.g. the tale related in the Anglo-Saxon Battle of Finnsburgh and the many allusions to mythological tales in Deor. When several partial references and tellings survive, scholars can deduce the underlying tale. Additionally, there are hundreds of place names in the Nordic countries named after the gods.

A few runic inscriptions, such as the Rök Runestone and the Kvinneby amulet, make references to the mythology. There are also several runestones and image stones that depict scenes from Norse mythology, such as Thor's fishing trip, scenes depicting Sigurd (Sigfried) the dragon slayer, Odin and Sleipnir, Odin being devoured by Fenrir, and one of the surviving stones from the Hunnestad Monument appears to show Hyrrokkin riding to Baldr's funeral (DR 284).

In Denmark, one image stone depicts Loki with curled dandy-like mustaches and lips that are sewn together and the British Gosforth cross shows several mythological images.

Cosmology

"The Wolves Pursuing Sol and Mani" (1909) by J. C. Dollman.

The Norse were a Seafaring people, and viewed the world through a polar-coordinate-system.

In Norse mythology there are 'nine worlds' (níu heimar), that many scholars summarize as follows:

• Midgard, world of average human experience
• Álfheimr, world of the Álfar (elves).
• Svartálfaheim, world of the Svartálfar (black elves)
• Vanaheimr, world of the Vanir
• Muspellheim, world of fire
• Jötunheimr, world of the jötnar
• Niflheim, world of ice
• Asgard, world of the Æsir
• Hel, world of the Niðavellir, netherworld.

Each world also had significant places within. Valhalla is Odin's hall located in Asgard. It was also home of the Einherjar, who were the souls of the greatest warriors. These warriors were selected by the Valkyries. The Einherjar would help defend the gods during Ragnarok.

These worlds are connected by Yggdrasil, the world tree, a giant tree with Asgard at its top. Chewing at its roots in Niflheim is Nidhogg, a ferocious serpent or dragon. Asgard can also be reached by Bifrost, a rainbow bridge guarded by Heimdall, a god who can see and hear for a thousand miles.

Supernatural beings

"Ydun" (1858) by Herman Wilhelm Bissen.

There are several "clans" of Vættir or animistic nature spirits: the Æsir and Vanir, understood as gods, plus the Jötnar, the Álfar and Dvergar. The distinction between Æsir and Vanir is relative, for the two are said to have made peace, exchanged hostages and reigned together after the events of the Æsir–Vanir War, and afterward the gods are often referred to collectively as Æsir.

In addition, there are many other beings: Fenrir the gigantic wolf, Jörmungandr the sea-serpent (or "worm") that is coiled around Midgard, and Hel, ruler of Helheim. These three monsters are described as the progeny of Loki. Other creatures include Huginn and Muninn (thought and memory, respectively), the two ravens who keep Odin, the chief god, apprised of what is happening on earth, since he gave an eye to the Well of Mimir in his quest for wisdom, Sleipnir, Loki's eight legged horse son belonging to Odin and Ratatoskr, the squirrel which scampers in the branches of Yggdrasil.

Völuspá

In the Poetic Edda poem Völuspá ("Prophecy [spá] of the völva"), Odin, the chief god of the Norse pantheon, has conjured up the spirit of a dead völva and commanded this spirit to reveal the past and the future. She is reluctant: "What do you ask of me? Why tempt me?"; but since she is already dead, she shows no fear of Odin, and continually taunts him: "Well, would you know more?" But Odin insists: if he is to fulfill his function as king of the gods, he must possess all knowledge. Once the völva has revealed the secrets of past and future, she falls back into oblivion: "I sink now".

Abiogenesis and anthropogenesis

Ask and Embla as depicted on a Faroe Islands postage stamp (2003) by Anker Eli Petersen.

According to Norse myth, the beginning of life was fire and ice, with the existence of only two worlds: Muspelheim and Niflheim. When the warm air of Muspelheim hit the cold ice of Niflheim, the jötunn Ymir and the icy cow Audhumla were created. Ymir's foot bred a son and a man and a woman emerged from his armpits, making Ymir the progenitor of the Jötnar. Whilst Ymir slept, the intense heat from Muspelheim made him sweat, and he sweated out Surtr, a jötunn of fire. Later Ymir woke and drank Audhumbla's milk. Whilst he drank, the cow Audhumbla licked on a salt stone. On the first day after this a man's hair appeared on the stone, on the second day a head and on the third day an entire man emerged from the stone. His name was Búri and with an unknown jötunn female he fathered Borr (Bor), the father of the three gods Odin, Vili and Ve.

When the gods felt strong enough they killed Ymir. His blood flooded the world and drowned all of the jötunn, except two. But jötnar grew again in numbers and soon there were as many as before Ymir's death. Then the gods created seven more worlds using Ymir's flesh for dirt, his blood for the Oceans, rivers and lakes, his bones for stone, his brain as the clouds, his skull for the heaven. Sparks from Muspelheim flew up and became stars.

One day when the gods were walking they found two tree trunks. They transformed them into the shape of humans. Odin gave them life, Vili gave them mind and Ve gave them the ability to hear, see, and speak. The gods named them Ask and Embla and built the kingdom of Middle-earth for them; and, to keep out the jötnar, the gods placed a gigantic fence made of Ymir's eyelashes around Middle-earth.

The völva goes on to describe Yggdrasil and three norns, Urðr (Wyrd), Verðandi and Skuld. She then describes the war between the Æsir and Vanir and the murder of Baldr, Odin's handsome son whom everyone but Loki loved. (The story is that everything in existence promised not to hurt him except mistletoe. Taking advantage of this weakness, Loki made a projectile of mistletoe and tricked Höðr, Odin's blind son and Baldr's brother, into using it to kill Baldr. Hel said she would revive him if everyone in the nine worlds wept. A female jötunn - Thokk, who may have been Loki in shape-shifted form - did not weep.) After that she turns her attention to the future.

Ragnarök

Ragnarök refers to a series of major events, including a great battle foretold to ultimately result in the death of a number of major figures (including the gods Odin, Thor, Freyr, Heimdall, and the jötunn Loki), the occurrence of various natural disasters, and the subsequent submersion of the world in fire. Afterwards, the world resurfaces anew and fertile, the surviving gods meet, and the world is repopulated by two human survivors.

Kings and heroes

The Ramsund carving depicting passages from the Völsunga saga

The mythological literature relates the legends of heroes and kings, as well as supernatural creatures. These clan and kingdom founding figures possessed great importance as illustrations of proper action or national origins. The heroic literature may have fulfilled the same function as the national epic in other European literatures, or it may have been more nearly related to tribal identity. Many of the legendary figures probably existed, and generations of Scandinavian scholars have tried to extract history from myth in the sagas.

Sometimes the same hero resurfaces in several forms depending on which part of the Germanic world the epics survived such as Weyland/Völund and Siegfried/Sigurd, and probably Beowulf/Bödvar Bjarki. Other notable heroes are Hagbard, Starkad, Ragnar Lodbrok, Sigurd Ring, Ivar Vidfamne and Harald Hildetand. Notable are also the shieldmaidens who were ordinary women who had chosen the path of the warrior. These women function both as heroines and as obstacles to the heroic journey.

Norse worship

Centres of faith

Gamla Uppsala, the centre of worship in Sweden until the temple was destroyed in the late 11th century.

The Germanic tribes rarely or never had temples in a modern sense. The Blót, the form of worship practiced by the ancient Germanic and Scandinavian people, resembled that of the Celts and Balts. It occurred either in sacred groves, at home, or at a simple altar of piled stones known as a "horgr." However, there seem to have been a few more important centres, such as Skiringssal, Lejre and Uppsala. Adam of Bremen claims that there was a temple in Uppsala (see Temple at Uppsala) with three wooden statues of Odin, Thor and Freyr.

Priests

While a kind of priesthood seems to have existed, it never took on the professional and semi-hereditary character of the Celtic druidical class. This was because the shamanistic tradition was maintained by women, the Völvas. It is often said that the Germanic kingship evolved out of a priestly office. This priestly role of the king was in line with the general role of gothi, who was the head of a kindred group of families (for this social structure, see norse clans), and who administered the sacrifices.

Human sacrifice

"Midvinterblot" (1915) by Carl Larsson.

A unique eye-witness account of Germanic human sacrifice survives in Ibn Fadlan's account of a Rus ship burial, where a slave-girl had volunteered to accompany her lord to the next world. More indirect accounts are given by Tacitus, Saxo Grammaticus and Adam von Bremen.

However, the Ibn Fadlan account is actually a burial ritual. Current understanding of Norse mythology suggests an ulterior motive to the slave-girl's 'sacrifice'. It is believed that in Norse mythology a woman who joined the corpse of a man on the funeral pyre would be that man's wife in the next world. For a slave girl to become the wife of a lord was an obvious increase in status. Although both religions are of the Indo-European tradition, the sacrifice described in the Ibn Fadlan account is not to be confused with the practice of Sati.

The Heimskringla tells of Swedish King Aun who sacrificed nine of his sons in an effort to prolong his life until his subjects stopped him from killing his last son Egil. According to Adam of Bremen, the Swedish kings sacrificed male slaves every ninth year during the Yule sacrifices at the Temple at Uppsala. The Swedes had the right not only to elect kings but also to depose them, and both king Domalde and king Olof Trätälja are said to have been sacrificed after years of famine.

Odin was associated with death by hanging, and a possible practice of Odinic sacrifice by strangling has some archeological support in the existence of bodies such as Tollund Man that perfectly preserved by the acid of the Jutland peatbogs, into which they were cast after having been strangled. However, scholars possess no written accounts that explicitly interpret the cause of these stranglings, which could obviously have other explanations.

Interactions with Christianity

"Ansgarius predikar Christna läran i Sverige" (1839) by Hugo Hamilton. An 1830 portrayal of Ansgar, a Christian missionary invited to Sweden by its king Björn at Hauge in 829.

An important note in interpreting this mythology is that often the closest accounts that scholars have to "pre-contact" times were written by Christians. The Younger Edda and the Heimskringla were written by Snorri Sturluson in the 13th century, over two hundred years after Iceland became Christianized. This results in Snorri's works carrying a large amount of Euhemerism.^[1]

Virtually all of the saga literature came out of Iceland, a relatively small and remote island, and even in the climate of religious tolerance there, Snorri was guided by an essentially Christian viewpoint. The Heimskringla provides some interesting insights into this issue. Snorri introduces Odin as a mortal warlord in Asia who acquires magical powers, settles in Sweden, and becomes a demi-god following his death. Having undercut Odin's divinity, Snorri then provides the story of a pact of Swedish King Aun with Odin to prolong his life by sacrificing his sons. Later in the Heimskringla, Snorri records in detail how converts to Christianity such as Saint Olaf Haraldsson brutally converted Scandinavians to Christianity.

One form of execution occurred during the Christianization of Norway. King Olaf Tryggvason had male völvas (sejdmen) tied and left on a skerry at ebb to drown in the sea. (1897 illustration by Halfdan Egedius)

Trying to avert civil war, the Icelandic parliament voted in Christianity, but for some years tolerated heathenry in the privacy of one's home. Sweden, on the other hand, had a series of civil wars in the 11th century, which ended with the burning of the Temple at Uppsala. In England, Christianization occurred earlier and sporadically, rarely by force. Conversion by coercion was sporadic throughout the areas where Norse gods had been worshipped. However, the conversion did not happen overnight. Christian clergy did their utmost to teach the populace that the Norse gods were demons, but their success was limited and the gods never became evil in the popular mind in most of Scandinavia.

The length of time Christianization took is illustrated by two centrally located examples of Lovön and Bergen. Archaeological studies of graves at the Swedish island of Lovön have shown that the Christianisation took 150–200 years, and this was a location close to the kings and bishops. Likewise in the bustling trading town of Bergen, many runic inscriptions have been found from the 13th century, among the Bryggen inscriptions. One of them says may Thor receive you, may Odin own you, and a second one is a galdra which says I carve curing runes, I carve salvaging runes, once against the elves, twice against the trolls, thrice against the thurs. The second one also mentions the dangerous Valkyrie Skögul. Another contrast in Norse beliefs is the Gimle, the supposed "high heaven, which is thought to be a Christian addition to Norse mythology, and the Ragnarokk, the "fate" of Æsir gods. This seems to be a Christian addition to the native mythology, since it ends the "reign" of the Æsir gods.

There are few accounts from the 14th to the 18th century, but the clergy, such as Olaus Magnus (1555) wrote about the difficulties of extinguishing the old beliefs. The story related in Þrymskviða appears to have been unusually resilient, like the romantic story of Hagbard and Signy, and versions of both were recorded in the 17th century and as late as the 19th century. In the 19th and early 20th century Swedish folklorists documented what commoners believed, and what surfaced were many surviving traditions of the gods of Norse mythology. However, the traditions were by then far from the cohesive system of Snorri's accounts. Most gods had been forgotten and only the hunting Odin and the jötunn-slaying Thor figure in numerous legends. Freyja is mentioned a few times and Baldr only survives in legends about place names.

Other elements of Norse mythology survived without being perceived as such, especially concerning supernatural beings in Scandinavian folklore. Moreover, the Norse belief in destiny has been very firm until modern times. Since the Christian hell resembled the abode of the dead in Norse mythology one of the names was borrowed from the old faith, Helvíti i.e. Hel's punishment. Many elements of the Yule traditions persevered, such as the Swedish tradition of slaughtering the pig at Christmas (Christmas ham), which originally was part of the sacrifice to Freyr.

Modern influences

The Germanic gods have left numerous traces in modern vocabulary and elements of every day western life in most Germanic language speaking countries. An example of this is some of the names of the days of the week: modelled after the names of the days of the week in Latin (named after Mars, Mercury, Jupiter, Venus, and Saturn), the names for Tuesday through to Friday were replaced with Germanic equivalents of the Roman gods and the names for Monday and Sunday after the Sun and Moon. In English, Saturn was not replaced.

Viking revival

"Heimdallr returns the necklace Brísingamen to Freyja" by Swedish painter Nils Blommér.

Early modern editions of Old Norse literature begins in the 16th century, e.g. Historia de gentibus septentrionalibus (Olaus Magnus, 1555) and the first edition of the 13th century Gesta Danorum (Saxo Grammaticus), in 1514. The pace of publication increased during the 17th century with Latin translations of the Edda (notably Peder Resen's Edda Islandorum of 1665). The renewed interest of Romanticism in the Old North had political implications. Myths about a glorious and brave past is said to have given the Swedes the courage to retake Finland, which had been lost in 1809 during the war between Sweden and Russia. The Geatish Society, of which Geijer was a member, popularized this myth to a great extent.

A focus for early British enthusiasts was George Hicke, who published a Linguarum vett. septentrionalium thesaurus in 1703–5. In the 1780s, Denmark offered to cede Iceland to Britain in exchange for Crab Island (West Indies), and in the 1860s Iceland was considered as a compensation for British support of Denmark in the Slesvig-Holstein conflicts. During this time, British interest and enthusiasm for Iceland and Nordic culture grew dramatically.

Germanic Neopaganism

Romanticist interest in the Old North gave rise to Germanic mysticism involving various schemes of occultist "Runology", notably following Guido von List and his Das Geheimnis der Runen (1908) in the early 20th century.

Since the 1970s, there have been revivals of the old Germanic religion as Germanic Neopaganism (Ásatrú) in both Europe and the United States.

Modern popular culture

Norse mythology influenced Richard Wagner's use of literary themes from it to compose the four operas that make up Der Ring des Nibelungen (The Ring of the Nibelung).

Subsequently, J. R. R. Tolkien's writings, especially The Silmarillion, were heavily influenced by the indigenous beliefs of the pre-Christian Northern Europeans. As his related novel The Lord of the Rings became popular, elements of its fantasy world moved steadily into popular perceptions of the fantasy genre. In many fantasy novels today can be found such Norse creatures as elves, dwarves, and frost jötnar. Subsequently, Norse mythology has also greatly influenced popular culture, in literature and modern fiction. (See Marvel Comics' The Mighty Thor or Neil Gaiman's The Sandman (Vertigo) also Neil Gaiman's novel American Gods)

Mats Wendt based his neo-romantic 16-hour symphonic suite Eddan – the invincible sword of the elf-smith on the chronological reconstruction of the Norse myths by Viktor Rydberg.

Norse mythology is a recurring theme in heavy metal lyrics. Bands like Bathory, Manowar, Burzum, Amon Amarth, and Tyr among others, composed concept albums with songs based on the Eddas and Norse paganism.

Many video games, especially RPG and strategies, are based on or inspired by Norse mythology, and feature certain elements of it. Examples of games influenced by Norse mythology include Final Fantasy, Too Human, Age Of Mythology, World of Warcraft: Wrath of the Lich King, Ragnarok Online, Valkyrie Profile Series from Square Enix, Viking: Battle for Asgard, Dark Age of Camelot, Odin Sphere, Guild Wars, Tomb Raider Underworld, Aion: The Tower of Eternity, Darkfall, Dept. Heaven, and many others.

Bibliography

Notes

Primary sources

• The Prose Edda
• The Poetic Edda
• Gesta Danorum
• Ynglinga saga
• Sagas

General secondary works

Romanticism

Modern retellings

See also

Spelling of names in Norse mythology often varies depending on the nationality of the source material. For more information see Old Norse orthography.

• Alliterative verse
• Numbers in Norse mythology
• Project Runeberg - a Nordic equivalent to Project Gutenberg
• Ásatrú The modern practice of Norse beliefs
• Viking Metal - Viking metal is a subgenre of heavy metal music characterised by its galloping pace, keyboard-rich anthemic sound, bleakness and dramatic emphasis on Norse mythology, Norse paganism, and the Viking

External links

• A collection of most of the standard texts in English translation (northvegr.org)
• Old Norse Prose and Poetry (heimskringla.no)
• Jörmungrund: Skálda- & vísnatal Norrœns Miðaldkveðskapar Index of Old Norse/Icelandic Skaldic Poetry (in Icelandic)
• Bibliography of recent scholarship on Norse Mythology & Religion
• Old texts in original languages

Norse mythology and paganism Deities, heroes, and figures Æsir Baldr · Bragi · Forseti · Dellingr · Freyr · Heimdallr · Hermóðr · Höðr · Hœnir · Lóðurr · Loki · Meili · Mímir · Móði and Magni · Njörðr · Odin · Óðr · Thor · Týr · Ullr · Váli · Víðarr · Vili and Vé Ásynjur Bil · Eir · Freyja · Frigg · Fulla · Gerðr · Gefjon · Gná · Hlín · Ilmr · Iðunn · Irpa · Jörð · Lofn · Nanna · Njörun · Rán · Rindr · Sága · Sif · Sigyn · Sjöfn · Skaði · Snotra · Sól · Syn · Þorgerðr Hölgabrúðr · Þrúðr · Vár · Vör Others Ask and Embla · Dís (Norns  · Valkyries) · Dwarves · Einherjar · Elves (Light elves · Dark elves) · Fenrir · Hel · Jörmungandr · Jötunn · Sigurd · Völundr Locations Asgard · Bifröst · Fólkvangr · Ginnungagap · Hel · Jötunheimr · Midgard · Múspellsheimr · Niflheim · Valhalla · Vígríðr · Wells (Mímisbrunnr · Hvergelmir · Urðarbrunnr) · Yggdrasil Events Æsir–Vanir War‎ · Fimbulvetr · Ragnarök Sources Gesta Danorum · Poetic Edda · Prose Edda · Runestones · Sagas · Tyrfing Cycle · Völsung Cycle · Old Norse language · Orthography · Later influence Society Blót · Félag · Germanic calendar · Heiti · Hörgr · Kenning · Mead hall · Nīþ · Norse pagan worship · Numbers · Runic calendar · Seiðr · Skald · Viking Age · Völva Origins Germanic paganism · Proto-Indo-European religion See also Norse gods · Mythological Norse people, items and places · Ásatrú